How Significant Were Eu Influences on the Development of Tudor Palaces?

Eu influence on Tudor palaces cannot be measured easily, almost 600 years of system history has made the evidence hard to examine in depth and much evidence has been provided over or laid to waste. In order to examine the subject in different depth the research of scholars must be examined and their interpretations of the remaining structures and artifacts looked at.
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King Henry VIII himself would have had an overwhelming influence over building works of the time. He was learned, the first King of The united kingdomt to write, publish and print a book and he read compulsively (Steane, J. 1998, p. 207). He 메이저 안전놀이터 desired power, and perchance wished to a little more powerful than the King of This particular language (Gosman, Meters. 2005, p. 138). This aspirations coupled with his school knowledge may have been used to build palaces designed to go beyond their Eu counterparts. Two different examples will be used to examine Eu influence on Tudor palaces: Hampton Court Palace and Nonsuch Palace. The impact of Eu influence will be looked at alongside the proposition that the growth and power of the Henry VIII and his court was a greater healthy diet force on their architectural mastery. Eu influences will be considered in relation to the following themes: external appearance including building materials, internal layout and the aesthetic interior. For these themes each palace will be considered in turn. Before launching into the themes, it is useful to give a brief history. The period of the Reformation saw Henry VIII break from The italian capital and form his or her own church (Gosman, Meters. et ‘s 2005). This period may very well be both disastrous and bountiful for architectural mastery in The united kingdomt. It saw widespread break down of ancient abbeys and priories that had was standing for five centuries (Summerson, J. 1993), but it also saw Noble building work to an extent that had never been known before. By the end of his leadership Henry VIII owned over fifty houses (Summerson, J. 1993). These system works were built on the basis of some slack from The italian capital, and as such, it could be said that this was a componant against Eu influence. Hampton Court Palace is an accretive building that began in 1514 as the largest house in The united kingdomt (Watkin, D. 1997); it was owned by Cardinal Thomas Wolsey (c. 1471-1530) and provided to Henry VIII in 1529. Half of the Tudor palace is still visible next to the newer area of the palace built by Christopher Wren (1632-1723) from 1689-1694 (Tinniswood, A. 2001). Nonsuch Palace was commenced in 1538; it was built from scratch as an elaborate “hunting lodge” and was not completed by the time of the King’s death in 1547 (British Archaeology, 2009). Unfortunately, whilst in the hands of Barbara Villiers, Countess of Castlemaine in 1682, the house was bull dozed and its parts and land sold (London Borough of Sutton, 2009). It is necessary to examine tenacious artefacts, including pictures and descriptions to form an accurate picture of Nonsuch Palace. There is some debate over when Henry VIII’s improvements started and Cardinal Wolseys finished, (Thurley, S. 1988 and Curnow, P. 1984). When Henry VIII took over the palace from Wolsey it had not been designed as a traditional Noble residence. Hampton Court’s external appearance heralded a new era for Noble residences; it is constructed of distinctive red packet. The tradition of packet usage in Europe probably got their start in The italian capital (Edson Armi, C. 2004), but the use of red-fired packet was a Burgundian concept. The Burgundian Court used packet even when there was a plentiful cause of stone, as can be seen from the Palais de Savoy in Michelen, Belgium, built from 1507-1527 (Markschies, A. 2003). Packet, and its different bonds : including Flemish for laying walls and other structures : had a huge have an effect on buildings from the early sixteenth century and Hampton Court Palace is a prime example of this. In 1532 special packet kilns were built near Hampton Court Palace to offer the enormous number of bricks needed (Thurley, S. 1988). One of the living through images of Nonsuch is a print by George Hoefnagle (1545-1600). From this image we can see the huge octagonal turrets that stand guard externally of the building, these may have been an emulation of the Chateau de Chambord or they may merely have been an expansion on normal Tudor theme : a mass flanked by octagons, as seen at Richmond Palace (Summerson, J. 1993). Of more impact in this image is what we cannot see: the community of Cuddington that was swept away; the stone from the monasteries with which it was built. All of these were a depiction of Henry VIII’s aspirations and ruthlessness (British Archaeology, 2009).

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